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Please visit my new Amazon.com Author Central page,
which contains a bibliography of my creative fiction titles and a literary biography. A list of my fiction titles appears further down on this page, along with some newspaper and magazine reviews,
with links to Amazon for the most recent. Here are all six short episodes of All the Realms sampled on my Author Central page in a PDF.
Visit my profile at LinkedIn.
This résumé was first coded for
Lynx in 1993, then as a web page in 1997. It's much abbreviated now because I'm no longer self-employed.
I regret I've had to close my Cornish language lexicon reference and database site in January 2009 after ten years
of operation. You are still welcome to write if I can help with your house names and whatnot.
The Tibetan sadhana and prayer texts I've produced for Riwoche Temple in Toronto, available at the Temple
store, are shown at the bottom of this page with a link to the Temple website.
Here is a Tibetan prayer flag heavy with
Tibetan-Sanskrit that I created for Venerable Khenpo Sonam Rinpoche, with illustrations of the five dignities by Urgyen Gyalpo.
The typesetting entailed several days of intensive work; which my friend Diane Costa followed with the very difficult job of
screen printing a 30 x 44 inch stencil on cotton in one piece.
Born in Vancouver, Paul came to Toronto in 1970 to study baroque music at the Royal Conservatory of Music. Taking an interest in typography, Paul studied Book Arts at night after completing high school; founding an antiquarian bookselling business in 1971 (the youngest person ever admitted to the International League of Antiquarian Booksellers). In 1974, Paul began a single-handed craft publishing enterprise, Basilike, featuring the work of English authors prominent in the 1930s and 40s. His publishing archive is now at the University of Alberta, and was the topic of a non-thesis Master of Library Science project in 1981. In the late 1970s, Paul attended the University of Toronto in mathematics, while assisting his older brother Glynn to establish Aya Press, a successful small literary publishing house, which Glynn operated for eight years. Over this time Paul supplemented his income as a motorcycle racer, and was also a volunteer broadcaster for the Radio Reading Service. Subsequently, Paul held management positions in purchasing, merchandising, and distribution for Polygram Records, managing a staff of twenty-five. In 1981, Paul accepted employment in Calgary, Alberta, where for four years he was engaged as a research analyst and technical writer in frontier oil and gas. His major project was the data synthesis and writing of the Resource Management Plan for Lancaster Sound Region Hydrocarbon Development, a four-year, $1.2 million technical and environmental study under the direction of Dr. A.E. Pallister, O.C., in support of an application to drill an oil well offshore in the High Arctic (where Paul spent 48 weeks in field work). Other projects included the 1984 East Coast Petroleum Operators' safety study; principal staff writer for a frontier oil and gas industry magazine, APOA Review; and co-editing a bibliography of northern development, among other publications. As well, Paul's employer was a vendor of research documents, with hundreds of titles in print, and Paul administered the company's substantial print budget, preparing and designing a large number of publications. Paul studied part-time at the University of Calgary in mathematics and drama as his intensive schedule permitted. In his spare time Paul was active in pistol shooting competition, achieving national ranking in ISU Centre-Fire events. Returning to Toronto in 1985, Paul was retained for a joint government-industry undertaking to conceive and implement an automated system for type and art for book manufacturing. This project was successfully completed, and enjoyed good publicity. Paul moved his business to a big country house in Frontenac County, Ontario, for two years, on a small hobby farm where he grew berries. Over the following twelve years under a concurrent book arts contract, Paul designed and produced more than one thousand trade and scholarly books, designed and implemented a second substantial computer production system for legal books, and won six national design awards. As well, Paul taught at Ryerson Polytechnical University for two years in computing methods for publishing, enjoying active recreational interests in opera, musical theatre, and Moorcroft pottery. Also at this time, in addition to frequent travel in Europe, Paul survived a gruelling seven-week overland trek along the Kathmandu Road through Tibet and Nepal. Starting to write creative fiction on mythic themes in 1991, Paul published ten books over the following nine years with prominent Ontario and Quebec small presses. Paul's eleventh book, Some Sunny Day, a novella, was published in 2005 by Insomniac Press in Toronto, and was at No. 1 sales rank in "Experimental Fiction" at Amazon.ca for fourteen months. In 1997, Paul returned to the University of Toronto on a part-time basis, studying Latin grammar and semeiotics, while working independently doing website development and Flash programming, certified as a Java solution provider. Since 2000, Paul has been a project manager at a prominent Toronto software manufacturer, MSR eCustoms, where he has completed several online application developments under the direction of Rajiv Manucha, P.Eng. (who, in addition to his significant achievement with this company, comes from a very distinguished family), which products are widely subscribed around the world. Paul now dedicates his spare time to his Vajrayana practice, attending Riwoche Temple five days a week. In 2005, Paul put together a high-quality Tibetan language typesetter, and in recent years with another Temple member has produced several Sadhana practice books and Aspiration Prayer texts for Riwoche in Tibetan, English transliteration, and English translation [see below], also large Tibetan and Tibetan-Sanskrit prayer flags [enlarge in Acrobat to read]. |
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Oblique Litanies: Nine Conversations and an Afterthought. ECW Press, 1992 Exactly 12¢ and other convictions. ECW Press, 1994 The Wreck of the Apollo. ECW Press, 1994 Dropping the Chase: The Thirteen Enigmas of the Goddess annotated with Thirteen Stories and a Complaint. ECW Press, 1995 Grace: A Story. ECW Press, 1996 Gelignite Jack. Véhicule Press, 1996 Joe Ironstone: A Drama for Radio. ECW Press, 1997 Pig Iron. Véhicule Press, 1997 A Dialogue for Five Voices. ECW Press, 1997 The Truth. Insomniac Press, 1999 Some Sunny Day. Insomniac Press, 2005
Covers and more about Davies' books can be found in the
Writing section of this portfolio. |
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"The title of this novella comes from 'We'll Meet Again,' a melancholy WWII song that promises that two lovers will reunite, even when both of them know that death is more likely. The book is about finding the promise of reunion fulfilled, not in this life, but in the next, or perhaps the next after that. The book is a series of vignettes — some almost short-story length, some only a few paragraphs. Each vignette introduces us to another life during another period in history. The vignettes move around geographically too; some take place in Tibet, some Ireland, some the United States and Canada. The real beauty of this book is that the author is able to pull off the voices of so many different women (and a few men) of many different ages and make them sound believable. There are a few false notes — the characters in the opening and closing sequences are somewhat flat and cliché — but overall, the different narrators make each of their stories intriguing. Although the publisher's website calls this book 'a death diary,' it is richer and more complex than that. Most of the stories are from the point of view of someone near or just after death and are a life review. Many speak about their wholes lives and some focus on a thwarted or lost love that came later in life. There are many religious references, including a very clever piece about the Greek gods in a sort of purgatory, but the dominant theme is derived more from Buddhism. The order (a reverse chronology until the end piece) and substance of the vignettes suggest that one person is being reborn again and again. I did not find this to be a true 'death diary,' especially since it ended on the positive note of renewal. It was more a diary of many lives, nearly all of them fascinating and well-worth at least one read, if not two." (Christine Hamm, Online Magazine review of Some Sunny Day) "The casual simplicity of style is an apt vehicle for a keen postmodern intelligence. This clean style and simply-rendered urban spirituality brings to mind Banana Yoshimoto's Kitchen of a few years back. Davies manner also resembles a reigned-in Kurt Vonnegut. Davies as a fiction writer deserves a medal for restraint. Truth is, this is one engaging, unique, yet utterly readable book. I'll buy the next installment of Davies's life, fiction or not." (Bill Gaston, The Globe and Mail, on The Truth) "From a well-traveled, much-published (nine books) Canadian writer, who has tried his hand at a bewildering number of careers, comes a candid, intelligent and splendidly droll little autobiographical novel. In 108 short chapters, or 'thoughts,' the nameless protagonist recounts his meandering life from birth in 1954 to middle-age, assuming the roles of, variously, a musician, book designer, motorcycle racer and mathematician. In his mid-20s, after abandoning his first successful incarnation as an antiquarian bookseller, he embarks on a quest to find meaning in his life, and in 1978 begins a friendship with cult figure Lobsang, an English plumber miraculously transformed into a self-styled Tibetan mystic. The narrator's subsequent travels include stops all over Canada, odysseys to the U.K. and the U.S. and an expedition near Baffin Bay in the High Arctic, but his culminating adventure is his quest for his great love, Gabrielle, a dancer in musical theater, which goes tantalizingly unrealized until the novel's bittersweet denouement. Davies's hero, a modern-day hybrid of Don Quixote and Sancho Panza, jousts at scores of life's windmills, but he pokes fun at himself along the way, almost always avoiding the spiritual sponginess that is the hazard of the book's theme. In short, sharp sentences, Davies gives an ironic yet affectionate account of a nomadic, self-searching life. Readers will be left wondering what this New Age Renaissance man will come up with next." (U.S. Publishers Weekly, on The Truth) "The term Renaissance Man is often applied to those who dabble in just two or three different fields. But what else can you call someone who's formally studied music, higher mathematics, and graphic design and worked as a typesetter, technical writer, music marketeer, oil and gas industry consultant, antiquarian bookseller, cartoonist, and even computer programmer? Meet Paul Davies." (Quill & Quire, biographical profile 1989) "Using ironic juxtaposition, Davies knits incidents with epiphanies. I nominate [Davies] for late night radio guru he always writes with a whimsical, indeed, lovable voice." (Canadian Book Review Annual, on Oblique Litanies) "Books like [Oblique Litanies] are rare, and we should have more of them. Davies is a tangential conversationalist, and these pieces have many angles." (Geist) A "journal account of a late 18th-century shipwreck, narrated by the ship's second officer. The book is especially well-designed and by the time you've finished reading it you've been simply but thoroughly satisfied." (The Toronto Star, on The Wreck of the Apollo) "The text [of Exactly 12¢ and other convictions] deftly evokes the monumental significance of small things to children and youths, and the heady feeling of building an inner world within a newly discovered shared culture of like-minded people." (Paragraph) "[An] existential who-done-it stories that, in sum, carry Gelignite Jack's dominant narrative and collectively constitute one of the most ingenious compact pieces of detective fiction." (Books in Canada) "For a seven-week period in 1991, Paul Davies and a group of fellow travelers journeyed through south-central Tibet. That trek was the inspiration for these stories, which are presented as annotations to the 13 enigmas of the Goddess contained in the Book of Leacan. The stories seamlessly blend historical commentary with vivid evocations. [T]his beautifully produced book abounds with dry amiable humour.... The author of Oblique Litanies, The Wreck of the Apollo, and Exactly 12¢ and other convictions has in these elegant marvels of concision proven once again that less is more." (Canadian Book Review Annual, on Dropping the Chase) "Davies' volume is [small] and poetic. [S]traightforward and subtle written almost as an extended postcard from China, the sections are [annotations to] the enigmas of the Goddess figure, written in 10th-century Ireland. A strange and compelling short travelogue, there are levels and heights here I haven't quite figured out yet." (Ottawa XPress, on Dropping the Chase) "I applaud [Davies'] boldness [Grace and Dropping the Chase] display a remarkable refusal to be constrained by earlier assumptions about the plausible and the acceptable. They possess a haunting quality I suspect will be with me for a long time." (W.J. Keith) "Grace: A Story by Paul Davies is an engaging, interesting, and implausible combination of historical fiction, science fiction, and fantasy, with didactic elements from comparative mythology and elsewhere a real and particular mind and talent are at work in this book. the book is ambitious in its metaphysics Paul Davies has a good feeling for the incongruities of juxtaposing ancient and modern times; in this he reminds me of E. Nesbit, Charles Williams, and C.S. Lewis. Davies wisely (more wisely than Milton) keeps all eminences except Xenophon off stage. It is odd for a book to join, as this does, such a good sense of humour and such sententiousness." (Books in Canada) "Grace: A Story packs an existential punch and enriches readers with a technical knockout exquisitely well-crafted, illuminated with wit, compassion, and warmth. Hallelujah!" (Judith Fitzgerald) "Grace is enchanting, and I use that word precisely." (Philip W. Leon) "This ingeniously structured book comprises three thematically linked stories .... Taken as a whole, the book is both an expression and celebration of storytelling and the endurance of the oral tradition. Readers who embrace Gelignite Jack on its own terms will be amply rewarded." (Canadian Book Review Annual) "Decidedly enigmatic but very intriguing ... offered confidently in a factual take-it-or-leave-it fashion that worked so far as I was concerned. Easily [Davies'] best yet." (W.J. Keith, on Gelignite Jack) "Davies possesses a probing intelligence with insights and ideas." (Quill & Quire, on Gelignite Jack) "Certain to be a 'sleeper' hit." (Missing Jacket, on Gelignite Jack) "A journey from youthful dreams to adulthood and old age which gains power as it goes along." (Montreal Mirror, on Gelignite Jack) "This radio play evokes a more innocent time in the history of Canada's favourite sport. The attitudes of players, managers, fans, family, and the press are well articulated in this terse and effective drama. Joe and his teammates are depicted as thoughtful human beings, as athletes not yet bloated to the size of media superstars." (Canadian Book Review Annual, on Joe Ironstone) |
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Tibetan language texts, a number transcribed from u-med script by Paul Davies, all
composed in modern u-chen and transliterated by Paul Davies and Diane Costa with English translation
under the direction of Venerable Khenpo Sonam Rinpoche, published by the Riwoche Society (2005 through 2009) and
available at Riwoche Temple in Toronto (www.riwoche.com). Twenty books
have been completed thus far. Paul has also prepared five volumes of teachings and commentary by Sonam Rinpoche
in English, and various Tibetan language posters and prayer flags.
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